Violinist Simone Porter has been recognized as an emerging artist of impassioned energy, interpretive integrity, andvibrant communication. She has debuted with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic, Seattle and Pittsburgh Symphonies, and with a number of renowned conductors, including StéphaneDenève, Gustavo Dudamel, Yannick Nézet-Séguin, Nicholas McGegan, Ludovic Morlot, Donald Runnicles, DavidRobertson, Esa-Pekka Salonen, Manfred Honeck, Louis Langrée, and David Danzmayr. Simone made her professional solo debut at age 10 with the Seattle Symphony and her international debut with the Royal Philharmonic Orchestra inLondon at age 13. In March 2015, Simone was named a recipient of an Avery Fisher Career Grant.

Porter’s recent seasons include extensive U.S. touring with debuts and returns to orchestras such as Colorado, North Carolina, St. Louis, Oregon, Nashville, Baltimore, Hawaii, Grand Rapids, Arkansas, Omaha, Quebec, Jacksonville, Erie Philharmonic, and Florida Orchestra.The25/26 season begins with her return to the Oregon Symphony, where she will serve as Artist in Residence through the 27/28 season. Internationally, Simone hasperformed with the Simón Bolívar Symphony Orchestra with Gustavo Dudamel; the Orquestra Sinfônica Brasileira; theNational Symphony Orchestra of Costa Rica; the City Chamber Orchestra of Hong Kong; the Royal Northern Sinfonia; the Milton Keynes City Orchestra; Orquesta Clásica Santa Cecilia de la Fundación Excelentia; the Opera de Marseille, and at the Edinburgh Festival under the direction of Stéphane Denève.

Recent recital highlights include a tour in Spain and debuts at Celebrity Series in Boston and NY92. Porter has appeared at festivals such as La Jolla Summerfest, Bay Chamber Music, Moab Music Festival, and Charlottesville Chamber Music Festival. February 2025 marked the release of her highly acclaim first solo album ad tendo on the Bright Shiny Things label.

Raised in Seattle, Washington, Simone studied with Margaret Pressley as a recipient of the Dorothy Richard StarlingScholarship andwas then admitted into the studio of the renowned pedagogue Robert Lipsett, with whom shestudied at the Colburn Conservatory of Music in Los Angeles.

Simone Porter performs on a 1740 Carlo Bergonzi violin made in Cremona, Italy, on generous loan from The Master’s University, Santa Clarita, California.